Paintings and drawings of emotionally and mentally disturbed persons have been the subject of many psychological and psychiatric investigations. The psychological evaluation of graphic art can probably be considered as the oldest “projective” technique. Paintings and drawings have been systematically studied by psychologists and psychiatrists from three different aspects: 1, As indicators of the developmental stage reached in perceptual, motor and intellectual functions (Goodenough, 1926; Graewe, 1932; Bender, 1938; Gesell and Ames, 1946).